Wednesday, January 30, 2013

Story of a Journey

This is a story of a journey through the unknown. It is almost a mirror of the chaos that we, as humans traverse, on a daily basis in this natural existence on Earth. I purposely framed these photographs this way to manipulate the scale of the objects I was capturing. Anyone can gain a different story when viewing these, but my hope with this set is to make a body of work that every viewer can relate their own life journey to.  








         

Monday, January 28, 2013

Edward Burtynsky: Oil Spill #9





     

         Edward Burtynsky is a photographer that essentially, depicts the human influence on various facets of the natural world inhabiting earth. This image, in particular, is apart of a series of oil spill photographs in the Gulf of Mexico that occurred in the summer of 2010. The set of oil spills as a whole shows the destructive nature that humans impose on their habitat but in very strange ways these images  also illustrate the twisted beauty that exists in the viewers mind when viewing these photographs. Not only do these images convey ironic and fascinating ideas within the mind of the viewer but they also convey the causes and effects involved with our existence in the natural world, especially this particular image.

         This image not only illustrates the effects of human life on the eco system of the Earth, it also depicts these human effects on a scale of epic proportions. The riptide of oil across the ocean scape almost mirrors a fracture in the natural world. The image depicts the human species as organisms that  create a destructive space among the eco system. The rich blacks of the oil that reside in the image are contrasted against the clean blue of the ocean water, in order to reveal the impact of our existence on this planet. Burtynsky is a masterful artist that portrays the realities of the world in a visceral yet beautiful ways and all of his images create a unique portfolio on the human existence among plane Earth's ecosystem.

Sunday, January 27, 2013

Escape and Wandering


This series of images are portrayed in a narrative type of format and order. I arranged the photographs in this order to place a narrative within the mind of the viewer in a way that illustrates a narrative with infinite meanings and possibilities. This portrays a man escaping, but the viewer must interpret what he is escaping from based on their own personal creative faculties. 





         


         

         

Tuesday, January 22, 2013

In Response to "Photographs and Contexts"



Terry Barret brings up very valid points in his article relating to photographical interpretations. Photography is a very unique medium because a lens can essentially capture reality, but it can also be manipulated to portray a certain kind of reality, whether it is a warped or pure version of it. Photography, in general, is built upon manipulation. Even when one simply takes a picture one is manipulating a space within a frame. But in reference to the article, which mainly focused on the famous photograph that Robert Doisneau took of a couple, drinking wine in a Paris cafe, I believe that this picture should be thought of in the artistic mindset that the original photograph was intended to be viewed through. What I mean by that is a person should view the original photograph like one would do with a piece of art from another medium and let the image absorb and flow into the mind rather than judging what it means prematurely. It is irrelevant whether it was used as an add, like the temperance league did for an anti alcohol campaign, because that was not what the artist intended when he manipulated it. Of course photographs will be manipulated in the media and other non organic entities, in order for them to benefit their own ideals and believes. But if it is to be viewed as art, rather than another plastic advertisement, one has to view the original in its own simplistic form. I believe as Barret does, in terms of interpreting photography, because to truly understand a photograph, one must understand the means, in which the artist manipulated his/her work. This becomes somewhat spastic in the modern age we inhabit today, due to our reliance on mass communication and digital technology 

Since we live in an age that is dominated by digital technology many images are up for grabs and can be used to convey many types of themes, ideals, or feelings. I believe there is a line between something that embody's a spirit of art and something that conveys an image that is intended to benefit a person or a group of people. Context is important in determining a photograph to an individual because the artist is showing the viewer a lens into a reality that the artist has captured. If a photograph is presented  in a simplistic way, which was most likely the artist's intention, than in can be viewed under artistic eyes, but once you start adding text or showing it in a series of adds than the image is not fully absorbed by the viewer it is rather skipped over without meaningful consideration. 

Overall the article made me realize how important context is in terms of how others will view a photograph. It is important to realize this as an artist and become aware of what I will capture in the future.         

Monday, January 21, 2013

The Human Canvas


With this set of photographs I wanted to try and convey the relationship between humans and paint, overall linking a connection between art and the human body. They are both extensions of each other. Creative nature is apart of humans as much as their legs and arms. 













Wednesday, January 16, 2013

Bad Feelings Of The Unknown


This series involves the absence of light along with small sources of glowing light to create a bad feeling within the viewer. I also played with the temperatures in the images to create a burning and ominous source of light.